On set, I’ve grown from a workshop intern—sewing, painting, and handcrafting costumes—to crowd stylist (dressing up to 300 people per day, more than 1000 per prod), and eventually to assistant to Oscar-winning costume designer and on set cast costumer.
These roles have involved coordinating workshop teams, sketching and designing dozens of 18th-century background costumes, managing on-set wardrobe changes, breakdowns, and maintaining script continuity.
I’ve collaborated with talents like Emilia Clarke, Haley Lu Richardson, Barbie Ferreira, Ariana DeBose, Isabela Merced and others. I’ve worked under Oscar-winning designers Wendy Partridge and Carlos Rosario, and served as a cast on-set costumer on "Alien: Romulus", produced by Ridley Scott (yes I was giving birth to a new alien together with the actress ;) ).
Contributing to film productions has been deeply fulfilling, allowing me to leave a piece of myself in each project—work that lives on through the stories told and my name preserved in the credits on screen.
Director: Fede Alvarez
Producer: Ridley Scott
Costume Designer: Carlos Rozario
This project marked a pivotal turning point in my career as an on-set cast costumer. The production featured a high level of complexity, involving extensive use of VFX, SFX, animatronic creatures, built animatronic set environments, multi-stage costume breakdowns, prosthetic make-ups, and intricate props. My role carried significant responsibility and required close collaboration across multiple departments—to ensure seamless integration and safety on set.Maintaining costume continuity in alignment with the director’s vision was essential, particularly in high-action and technically demanding scenes. Under the guidance of an Oscar-winning Costume Designer, I helped ensure that every costume—no matter how complex—was secure, functional, and appropriately tailored to the needs of each actor and scene.
Directors: Mairzee Almas and Bola Ogun
Costume Designer: Wendy Partridge
This opportunity was highly desirable and marked a significant step in my career, as I secured my first role as a Costume Designer Assistant to an Oscar-winning designer. Working under her supervision, I had the privilege of learning directly from one of the industry's best. My responsibilities included overseeing and coordinating workshop fabrications, designing and illustrating hundreds of background costumes, and managing detailed costume bibles. I also contributed hands-on in the breakdown department, crafting various garments. When needed, I supported the on-set team by assisting as a cast dresser, ensuring continuity and quick changes during filming.
Directors: Bridget Savage Cole and Danielle Krudy
Costume Designer: Ola Staszko
I served as on-set key cast costumer. Managing continuity, costume changes and breakdown, supervising costumes on set.
Director: Mohamed Diab
Costume Designer: Meghan Kasperlik
Additional Costume designer: Reem El Adl
I began my work as a crowd stylist, where I was responsible for dressing hundreds of background actors in alignment with the designers’ mood boards. As the production progressed, I had the opportunity to collaborate closely with an award-winning Egyptian costume designer, serving as her assistant for crowd styling. Eventually, I transitioned to the stunt unit, where I took on the role of on-set costumer for stunt doubles during complex action sequences including Vfx, Sfx and costume breakdown.
I worked as a costume workshop intern.
My responsibilities included sewing foam rubber, integrating mesh with 3D prints, hot pressing, and working with leather, among other specialized tasks. I had the privilege of learning from and collaborating with exceptionally talented costume makers from around the world, which greatly enriched my understanding of craftsmanship and design.
